Saturday, February 25, 2012

Oscars are here!!...So....the envelope please..........


The infamous Billy Crystal... Best Oscar host ever!!!
 
Brenda’s 2012 Oscar Bets 
 84TH Academy Awards February 26, 2012.
 Host:  Billy Crystal  
Best Motion Picture Film
Toss up between The Help and The Artist.
My Choice: The Help
 The Help deserves the win.  A story of  courage, a young journalist, and a quest to  tender the disclosure of life as a maid in 1960’s Mississippi.
Actual Winner most likely: The Artist in that the voting academy membership is primarily 94% white and is comprised of over 77% men, what are the odds the majority will vote for a “you go-girl” film of colour, characterized in The Help...??? Possible, I am hopeful, but maybe not. The Artist has generated mounds of momentum... a unique and also tremendous gem of a film worthy of a bevy of Oscars, illustrating the re-examination of the silent film genre, an actor’s unraveling career,  and an intriguing love story. Both films no doubt will go home with hardware.
Best Actor in a Leading Role                                                            
Uggie, my hero, deserves an award....OUTSTANDING in The Artist
Jean Dujardin
George Clooney
Toss up between Jean Dujardin, The Artist, and George Clooney, The Descendants.
My Choice:  Jean Dujardin, The Artist. He was superb in The Artist, exuding a range of emotion, elevated body lanuguage to a new level, sexy to a tee, and relayed a very entertaining story of his acting career struggles without dialogue.
Best Actress in a Leading Role 
Toss Up between Meryl Streep, The Iron Lady, and Viola Davis The Help.
Viola Davis

Meryl Streep

My Choice: Viola Davis, The Help. Her raw emotion and honesty speaks volumes in this revealing story about the challenging life of maids.  Strong contender Meryl Streep was also superb in her role as the “Iron Lady,”portraying Margaret Thatcher with impeccable precision. Bérénice was impressive in her role as a rising actress, and she could be the underdog surprise winner if the vote is split between Meryl Streep and Viola Davis.

Best Supporting Actor
Christopher Plummer

My Choice: Christopher Plummer, in Beginners. He has been positioned a front runner in this life changing realization drama, and has pulled away from the other nominees. At eighty-two years young, a long awaited honour in waiting.

Best Supporting Actress
My Choice: Octavia Spencer, The Help
Octavia Spencer
Melissa McCarthy
Octavia was outstanding in her portrayal of a maid, and best friend of Viola Davis in the aspiring story of womanhood, trust, humour, and righteousness.
Bérénice Bejo
Bérénice Bejo, The Artist, was impressive in her role as a rising actress, and could be the underdog  and a surprise winner.
Melissa McCarthy



By far my best laugh of the year at the theatre, was due to Melissa McCarthy's antics in The Bridesmaids. She was superbly funny, and if not for the Academy's typical aversion to honouring humorous roles, she would be front row centre, to win the best supporting actress award. Possible, and would be sweet!
 

Sunday, February 5, 2012

The Artist...Is Silence truly Golden...Oscar Golden?

The Artist is a compelling journey of an actor who is lost within his steadfast passion for silent films, and cannot embrace the freshness and differences of newly created talking films.  Silent film defines him. Jean Dujardin portrays the pride of Hollywood, George Valentin,  passionate about his craft,  and endearing. He manages to juggle a quirky relationship with Peppy Miller, (Bérénice Bejo), the emerging movie extra whose career in talking films is on the rise.  The Artist is a successful behind the scenes peek into what film used to be, and an appealing story that speaks volumes with 10 Academy Award nominations.

The Artist...Emotion Screams in this Silent Film

The Artist

Starring: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, and Uggie, the dog.
Directed by:  Michel Hazanavicius
Written by:  Michel Hazanavicius
Released: December 2011
Genre: Silent, with English subtitles, Drama, Romance and Comedy.
Synopsis:
A love story/drama showcasing silent film star George Valentin, whose career unravels as "talkie" motion pictures emerge. He refuses to let go of the silent film genre that gave him stardom; the only life he values until a unknown newcomer Peppy Miller, tries to present new options for him. 

Trailer

George Valentin (Jean Dujardin) is the silverscreen heartthrob of 1927 and married to a blonde high maintenance leading lady; Doris (Penelope Ann Miller). Their marriage is struggling, and although they relish in  the typical rich and famous lifestyle of movie stars, they are bored and unhappy with each other. George seems content at home,  not for the time with his wife, rather, it is his razor smart dog, (Uggie) who makes him smile, and is his constant companion. George is a master of his acting craft, no doubt, taking care to use his entire face with endless options of expression. There is a sense of accomplishment in his uncanny, consistent ability to convey to the audience his acting journey, whether exhibiting despair, connection, friendship, depression, or joy.

In a chance encounter at one of George's public appearances, a groupie spectator Peppy Miller (Bérénice Bejo) who was also waiting to audition as a movie dancer extra gets knocked into George's way. They meet face to face and sparks fly.  She is smitten with him, and gives him a peck on check, which makes headline papers  the next morning to the dismay of his wife. As his marriage disintegrates, so does his career, with time running out on the popularity of silent films.

Peppy Miller's career however,  takes off into the world of talkie films embracing all the technical advantages emerging to her advantage. In contrast, George's pride in clinging to his barely there career is frustrating to witness,  because he refuses to even consider working in films with sound dialogue. 
Peppy tries to help him understand, but his enthusiasm for the new film world, is held at bay, his finances dry up, and he stubbornly produces, directs and acts in a film himself. Her feelings for him are real, and she longs to be with him, displayed in a tender scene with her sneaking into George's dressing room and embracing his jacket. Her performance is precision-like, her glances heartwarming, and understanding. Peppy's dancing is exceptional and adds spunk to her already dynamic acting talent.

One of the many memorable actors in this film, is Uggie. He is loyal, funny, and smart, and in numerous scenes steadfastly scampering beside George.  He easily wins the hearts of the audience, and adds the man-dog best friend bond chemistry to the storyline, with ease and perfection. Uggie deservedly walked the red carpet at the Golden Globes,  in January 2012.  (Uggie apparently stole the show dressed in black tie steering lavish attention away from George Clooney, and Jean Dujardin, who were also at the Globes.)
Uggie has over 4,000 followers on his Twitter account, and can be reached @Uggie_TheArtist.

The audience for the film is pin drop quiet throughout The Artist. The accompanying background music is exceptional, which elevates the impact and flow of the plot.  The emotion, expressions, and humour are handily accomplished without the requirement of sound.  The chemistry between the actors is subtle, undeniable and delicately portrayed with superb camera capture, shadow, and light. 

The result is a tremendous work of art; a drama that demands your attention, and ends with the feel-good messages of hope, and love. The overall intensity is surprising and will likely not disappoint those who can appreciate the craft and history of film-making and an unusual love story. The Artist has already achieved 3 Golden Globes wins, (Best Comedy/Musical film, Best Actor, and best Musical Score)  and has earned 10 nominations for the February 26, 2012 Academy Awards including; Best Picture, Best Actor, and Best Supporting Actress among additional categories.


Tuesday, January 31, 2012

The Iron Lady ...A Political Treasure for Meryl

Meryl Streep delivers another outstanding performance in her Biopic account of former British Prime Minister Margaret Thatcher's political highlights. Her realism is unmatched, and once again sets herself apart from her colleagues in nailing this role to a "tea".

The Iron Lady...Streep Rules for her Depiction

The Iron Lady...Outstanding Leading Lady, but Rather Drab Drama
Starring Meryl Streep, Jim Broadbent, Richard E. Grant, Alexandra Roach, and Susan Brown.
Director: Phyllida Lloyd
Written by: Abi Morgan
Genre: Biopic/Drama
Released: December, 2011
Synopsis:  A biographical British film about the former Prime Minister Margaret Thatcher.  She is superbly portrayed primarily by Meryl Streep in her political leadership years, and by Alexandra Roach in her formative years highlighting Thatcher's impressive lifetime achievements, contrasted with her present day struggles with dementia.
The Iron Lady takes place over three days in the current life of Margaret Thatcher, (Meryl Streep) including candid political accomplishments and family flashbacks in addition to present, quite persistent hallucinations of her deceased husband. Her rise to power is displayed against her meagre presence and impact today, yet her stark, firm personality remains intact. Her stubbornness, intuition and drive are explored to the fullest, immersed within an imagined series of conversations between an octogenarian Thatcher and her dead husband, Denis (Jim Broadbent).  
The story begins with an account of Margaret's younger years,  (Alexandra Roach) working in her family grocery store , while  both striving towards acceptance into a university program and  exerting an unwavering determination to break into the male-dominated Tory political party. Her mother is barely impressed when she learns of her acceptance into a renowned university wheres her father is greatly pleased and happy for her.  
The audience yearns for more detail surrounding her personal life such as her courting years with Denis, and any details of motherhood scenarios that would have been stiffly molded into her life following her marriage. Rather, the film adheres to an examination of her political career, detailing significant events, such as the war in the Falklands.  Also  a flaw because it is not included, is any interaction with the Queen. Becoming an ear-stretching fly on the wall of Thatcher/Monarchy encounters certainly would have added an intriguing spark to the story, which unfortunately was left extinguished.  There are numerous parliamentary scenes which become tedious displaying her challenges, and lengthy verbal confrontations surrounding British issues.  

The Director, (Lloyd) and Writer, (Morgan) rely on the ghost of Denis, who appears regularly, conversing, consoling, and maintaining a comfort to her, as she recounts her career high points. His tenderness is heartwarming, and a cozy contrast to her chilly ways.

What saves the film is Streep's uncanny metamorphosis, and undeniably accurate personification of Thatcher. From her physical stature, the convincing accent, the helmet stiff hair-sprayed do, the stoic expressions, and even her gingerly limp as a near 90-year old, her performance is superb.

Streep as always is deserving of her recognition by the Academy as a nominee for the upcoming Academy awards ceremony in February 2012. She recently earned the Golden Globe Best Actress Award (Drama Motion Picture) in January 2012 for her aspiring portrayal in The Iron Lady.

Meryl Streep's daughters:  Mamie, Grace and Louisa Gummer attend Meryl Streep’s New York premiere of Margaret Thatcher Biopic “The Iron Lady”

Tuesday, January 24, 2012

Clooney Cinch's Oscar nod with Descendants

George Clooney delivers a moving performance in his portrayal of a real estate lawyer, father and husband whose life becomes a mix-master of tragedy, infidelity, and rusty fatherhood. The movie's overall mood is sombre, however humour, and compassion rise to the occasion to present a film of surprise,  tenderness, and resolve.

The Decendants...Clooney's Hawaiian Hit


                                             

The Descendants
Starring: George Clooney, Shaileen Woodley, and Amara Miller
Directed by: Alexander Payne
Written by: Alexander Payne, Nat Faxon, and Jim Rash
Released: December 2011
Genre: Drama
Synopsis:
Set in Hawaii, a naive husband and father of two girls struggles with his unraveling life which is confronted with family tragedy, and a difficult legacy land-deal decision.  Hawaiian land baron, and lawyer, Matt King takes his daughters on a trip from Oahu to Kauai to face the young real estate broker, who was having an affair with his wife Elizabeth before her misfortune.
 Trailer

The Descendants follows the heart wrenching journey of Matt Kings's (George Clooney's ) last visits to his wife, Elizabeth King (Patricia Hastie) who is on life support following a boating accident.   When he learns of her certain death, his life falls into a tailspin. While barely coping  with parental duties for his two daughters, he is saddled with also having to decide the fate of  a multi-acre family land inheritance decision which threatens to commercialize pristine land in Kauai. He is pressured by family to proceed with the sale of the land rather than keep it, as millions of dollars of profit are at stake for family members. Matt, gains our support early via his charm, humour, awkward fatherly advice sessions, and spiraling emotional turmoil. He ponders his predicaments with a tender honesty, particularly interacting with eldest daughter Alex, (Shaileene Woodley).

As a teenager grappling with her shaded past, Alex boasts a turbulent attitude, and jaded, unresolved issues surrounding her mother's situation. The story takes a dramatic turn when she  reveals to her Dad, that Mom, Elizabeth, had been having an affair prior to her accident.  Matt is shocked, and sprints to a family friends' house, where he is determined to coax the identity of his wife's love interest.  

Alex's goofy boyfriend, Sid, (Robert Forster), often by her side, seems to maintain a calmness for her,  and  offers a sense of peace, and comic relief for her.   Younger sister Scottie, (Amanda Miller) is blunt, whimsical but certainly not naive.
The story highlights heavy, dramatic situations,  and if not for the comical injections welcomed at the appropriate segments, the entire film would leave the audience feeling unbearably sad.  Overall it is not a happy film, rather it is a journey of self-realization, and family discovery.  The  superb portrayals of a frustrated seventeen year old, and worn out lawyer Dad who have both lost their way, are no doubt compelling, each well-deserving of Oscar consideration. The film's director and writer, Alexander Payne shines at delivering the story of the daunting task of a husband's quest to locate and confront his wife's "other man."  Matt and Alex endure a difficult, yet real Father-Daughter progression while striving to cope with an impossible situation of events, and discover what they mean to each other along the way.