A terrifying tale of man against beast, set in the barren and unforgiving cold of the Arctic. Liam Neeson superbly portrays a leader struggling with his own hardships, trudging with a broken group of lost souls who offer little hope themselves, leaving one man to defiantly fight for them all.
Friday, March 23, 2012
The Grey...Neeson excels, but the ending?
The Grey...The Cold ...Calculated...Canine
Starring: Liam Neeson, Dermot Mulroney and Frank Grillo
Directed by: Joe Carnahan
Written by: Joe Carnahan and Ian Mackenzie Jeffers
Genre: Action, Adventure, Drama
Released: January 2012
Synopsis: After their plane crashes in Alaska, seven oil workers are
faced with a bleak outlook for survival. A leader amongst them emerges, desperately hinging on his fine-tuned survival skills in the daunting quest to
reach help, while a pack of relentless wolves lingers in the darkness.
Trailer
An airplane loses the battle with turbulence, plummeting into the Arctic landscape, coddling only seven oil field survivors who are outcasts, heavy drinkers, and lacking in most everything. There are insurmountable obstacles confronting the unfortunate survivors including life-threatening internal and external struggles. Many central themes emerge within this drama including isolation, frustration, conflict, and masculinity.
Ottway (Liam Neeson) is a loner, his wife no longer in his life, and has fallen miserably into a deep depression teetering on the brink of suicide. The movie drifts to soft, serene, mind-filled images of his deceased wife, (Anne Openshaw) in tender, admiring moments which is in drastic contrast to his profession as an apparent tough sharp-shooter, protecting staff of a petroleum company from wildlife as they work. His skills are gladly tapped in a variety of ways when needed most, as the group is confronted with numerous survival dilemmas.
No doubt the passing of Neeson's wife Natasha Richardson just prior to filming this movie, had a verisimilitude impact on the intense moments of compassion displayed. He writes, then covets final words to his wife in this drama, crumpled on a scrap of paper throughout his journey, while also reflecting on a framed four-line poem at home, treasured and created by his father.
The poem is starkly simple, yet intriguing, bluntly maintaining a framework for a deeper meaning to his being and fosters an essence to the film. Ottway convincingly delivers a gripping emotional portrayal exploring loss, courage, love, and fear. Overall, his realistic performance is more than notable, and leaves the audience with an elevated respect for the breadth of Liam Neeson's acting abilities.
The film does indeed present some terrifying moments, and is not for the weak of heart. The scenes display a vivid, cold, hopeless, backdrop, (blood included) only calmed slightly by the interesting dialogue amongst the rogue group of survivors. A disappointing observation is the group's predicable pattern that evolves. Stop each night, make camp, chat, drink, and opps... someone goes amiss! And so goes the story...
The ending is not what I expected, and in essence the director leaves the conclusion up to the audience. A tip... stay in your seats until after the credits, as there is an additional 5-second scene, that may or may not shed some light on your own version of how you determine this story ends.
No doubt the passing of Neeson's wife Natasha Richardson just prior to filming this movie, had a verisimilitude impact on the intense moments of compassion displayed. He writes, then covets final words to his wife in this drama, crumpled on a scrap of paper throughout his journey, while also reflecting on a framed four-line poem at home, treasured and created by his father.
The poem is starkly simple, yet intriguing, bluntly maintaining a framework for a deeper meaning to his being and fosters an essence to the film. Ottway convincingly delivers a gripping emotional portrayal exploring loss, courage, love, and fear. Overall, his realistic performance is more than notable, and leaves the audience with an elevated respect for the breadth of Liam Neeson's acting abilities.
The film does indeed present some terrifying moments, and is not for the weak of heart. The scenes display a vivid, cold, hopeless, backdrop, (blood included) only calmed slightly by the interesting dialogue amongst the rogue group of survivors. A disappointing observation is the group's predicable pattern that evolves. Stop each night, make camp, chat, drink, and opps... someone goes amiss! And so goes the story...
The ending is not what I expected, and in essence the director leaves the conclusion up to the audience. A tip... stay in your seats until after the credits, as there is an additional 5-second scene, that may or may not shed some light on your own version of how you determine this story ends. Saturday, February 25, 2012
Oscars are here!!...So....the envelope please..........
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| The infamous Billy Crystal... Best Oscar host ever!!! |
Brenda’s
2012 Oscar Bets
84TH Academy Awards February 26, 2012.
Host: Billy Crystal
84TH Academy Awards February 26, 2012.
Host: Billy Crystal
Best Motion Picture Film
Toss up between The
Help and The Artist.
My Choice: The Help
The Help
deserves the win. A story of courage, a young journalist, and a quest to tender the disclosure of life as a maid in 1960’s Mississippi.
Actual Winner most likely: The Artist in that the voting academy membership is primarily 94% white and is comprised of
over 77% men, what are the odds the majority will vote for a “you go-girl” film of colour, characterized in The
Help...??? Possible, I am hopeful, but maybe
not. The
Artist has generated mounds of momentum... a unique and also tremendous gem of a film worthy of a bevy of Oscars, illustrating the re-examination of the silent
film genre, an actor’s unraveling career, and an intriguing love story. Both films no doubt will go home with hardware.
Best Actor in a Leading Role
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| Uggie, my hero, deserves an award....OUTSTANDING in The Artist |
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| Jean Dujardin |
![]() |
| George Clooney |
Toss up between Jean Dujardin, The Artist, and George Clooney, The Descendants.
My Choice: Jean Dujardin, The Artist. He was superb in The Artist, exuding a
range of emotion, elevated body lanuguage to a new level, sexy to a tee, and relayed a very entertaining story of his acting career struggles without
dialogue.
Best Actress in a Leading Role
Toss Up between Meryl Streep, The Iron Lady, and Viola Davis The
Help.
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| Viola Davis |
![]() |
| Meryl Streep |
My Choice: Viola Davis, The Help. Her raw emotion and
honesty speaks volumes in this revealing story about the challenging life of maids. Strong contender Meryl Streep was also superb in her role as
the “Iron Lady,”portraying Margaret Thatcher with impeccable precision. Bérénice was
impressive in her role as a rising actress, and she could be the underdog surprise winner if the vote is split between Meryl Streep and Viola Davis.
Best Supporting Actor
![]() |
| Christopher Plummer |
My Choice: Christopher
Plummer, in Beginners. He has
been positioned a front runner in this life changing realization drama, and has pulled away from the other nominees. At eighty-two years young, a long awaited honour in waiting.
Best Supporting Actress
My Choice: Octavia Spencer, The Help
Octavia was
outstanding in her portrayal of a maid, and best friend of Viola Davis in the
aspiring story of womanhood, trust, humour, and righteousness.
Best Supporting Actress
My Choice: Octavia Spencer, The Help
![]() |
| Octavia Spencer |
![]() |
| Melissa McCarthy |
![]() |
| Bérénice Bejo |
![]() |
| Melissa McCarthy |
By far my best laugh of the year at the theatre, was due to Melissa McCarthy's antics in The Bridesmaids. She was superbly funny, and if not for the Academy's typical aversion to honouring humorous roles, she would be front row centre, to win the best supporting actress award. Possible, and would be sweet!
Sunday, February 5, 2012
The Artist...Is Silence truly Golden...Oscar Golden?
The Artist is a compelling journey of an actor who is lost within his steadfast passion for silent films, and cannot embrace the freshness and differences of newly created talking films. Silent film defines him. Jean Dujardin portrays the pride of Hollywood, George Valentin, passionate about his craft, and endearing. He manages to juggle a quirky relationship with Peppy Miller, (Bérénice Bejo), the emerging movie extra whose career in talking films is on the rise. The Artist is a successful behind the scenes peek into what film used to be, and an appealing story that speaks volumes with 10 Academy Award nominations.
The Artist...Emotion Screams in this Silent Film
The Artist Starring: Jean Dujardin, Bérénice Bejo, John Goodman, James Cromwell, Penelope Ann Miller, and Uggie, the dog.
Directed by: Michel Hazanavicius
Written by: Michel Hazanavicius
Written by: Michel Hazanavicius
Released: December 2011
Genre: Silent, with English subtitles, Drama, Romance and Comedy.
Synopsis:
Trailer
Genre: Silent, with English subtitles, Drama, Romance and Comedy.
Synopsis:
A love story/drama showcasing silent film star George Valentin, whose career unravels as "talkie" motion pictures emerge. He refuses to let go of the silent film genre that gave him stardom; the only life he values until a unknown newcomer Peppy Miller, tries to present new options for him.
Trailer
George Valentin (Jean Dujardin) is the silverscreen heartthrob of 1927 and married to a blonde high maintenance leading lady; Doris (Penelope Ann Miller). Their marriage is struggling, and although they relish in the typical rich and famous lifestyle of movie stars, they are bored and unhappy with each other. George seems content at home, not for the time with his wife, rather, it is his razor smart dog, (Uggie) who makes him smile, and is his constant companion. George is a master of his acting craft, no doubt, taking care to use his entire face with endless options of expression. There is a sense of accomplishment in his uncanny, consistent ability to convey to the audience his acting journey, whether exhibiting despair, connection, friendship, depression, or joy.
In a chance encounter at one of George's public appearances, a groupie spectator Peppy Miller (Bérénice Bejo) who was also waiting to audition as a movie dancer extra gets knocked into George's way. They meet face to face and sparks fly. She is smitten with him, and gives him a peck on check, which makes headline papers the next morning to the dismay of his wife. As his marriage disintegrates, so does his career, with time running out on the popularity of silent films.
Peppy Miller's career however, takes off into the world of talkie films embracing all the technical advantages emerging to her advantage. In contrast, George's pride in clinging to his barely there career is frustrating to witness, because he refuses to even consider working in films with sound dialogue.
Peppy tries to help him understand, but his enthusiasm for the new film world, is held at bay, his finances dry up, and he stubbornly produces, directs and acts in a film himself. Her feelings for him are real, and she longs to be with him, displayed in a tender scene with her sneaking into George's dressing room and embracing his jacket. Her performance is precision-like, her glances heartwarming, and understanding. Peppy's dancing is exceptional and adds spunk to her already dynamic acting talent.
One
of the many memorable actors in this film, is Uggie. He is loyal, funny, and smart,
and in numerous scenes steadfastly scampering beside George. He easily wins the hearts of the
audience, and adds the man-dog best friend bond chemistry to the storyline, with ease
and perfection. Uggie deservedly walked the red
carpet at the Golden Globes, in January 2012. (Uggie apparently stole the show dressed in black tie steering lavish attention away from George Clooney, and Jean Dujardin, who were also at the Globes.)
Uggie has over 4,000 followers on
his Twitter account, and can be reached @Uggie_TheArtist.
The audience for the film is pin drop quiet throughout The Artist. The accompanying background music is exceptional, which elevates the impact and flow of the plot. The emotion, expressions, and humour are handily accomplished without the requirement of sound. The chemistry between the actors is subtle, undeniable and delicately portrayed with superb camera capture, shadow, and light.
The result is a tremendous work of art; a drama that demands your attention, and ends with the feel-good messages of hope, and love. The overall intensity is surprising and will likely not disappoint those who can appreciate the craft and history of film-making and an unusual love story. The Artist has already achieved 3 Golden Globes wins, (Best Comedy/Musical film, Best Actor, and best Musical Score) and has earned 10 nominations for the February 26, 2012 Academy Awards including; Best Picture, Best Actor, and Best Supporting Actress among additional categories.
Tuesday, January 31, 2012
The Iron Lady ...A Political Treasure for Meryl
Meryl Streep delivers another outstanding performance in her Biopic account of former British Prime Minister Margaret Thatcher's political highlights. Her realism is unmatched, and once again sets herself apart from her colleagues in nailing this role to a "tea".
The Iron Lady...Streep Rules for her Depiction
The Iron Lady...Outstanding Leading Lady, but Rather Drab Drama
Starring Meryl Streep, Jim Broadbent, Richard E. Grant, Alexandra Roach, and Susan Brown.
Director: Phyllida Lloyd
Written by: Abi Morgan
Genre: Biopic/Drama
Released: December, 2011
Synopsis: A biographical British film about the former Prime Minister Margaret Thatcher. She is superbly portrayed primarily by Meryl Streep in her political leadership years, and by Alexandra Roach in her formative years highlighting Thatcher's impressive lifetime achievements, contrasted with her present day struggles with dementia.
The Iron Lady takes place over three days in the current life of
Margaret Thatcher, (Meryl Streep) including candid political accomplishments and family flashbacks in
addition to present, quite persistent hallucinations of her deceased
husband. Her rise to power is displayed against her meagre presence and
impact today, yet her stark, firm personality remains intact. Her
stubbornness, intuition and drive are explored to the fullest, immersed within an imagined series of conversations between an octogenarian Thatcher
and her dead husband, Denis (Jim Broadbent).
The story begins with an account of Margaret's younger years, (Alexandra Roach) working in her family grocery store , while both striving towards acceptance into a university program and exerting an unwavering determination to break into the male-dominated Tory political party. Her mother is barely impressed when she learns of her acceptance into a renowned university wheres her father is greatly pleased and happy for her.
The audience yearns for more detail surrounding her personal life such as her courting years with Denis, and any details of motherhood scenarios that would have been stiffly molded into her life following her marriage. Rather, the film adheres to an examination of her political career, detailing significant events, such as the war in the Falklands. Also a flaw because it is not included, is any interaction with the Queen. Becoming an ear-stretching fly on the wall of Thatcher/Monarchy encounters certainly would have added an intriguing spark to the story, which unfortunately was left extinguished. There are numerous parliamentary scenes which become tedious displaying her challenges, and lengthy verbal confrontations surrounding British issues.
The Director, (Lloyd) and Writer, (Morgan) rely on the ghost of Denis, who appears regularly, conversing, consoling, and maintaining a comfort to her, as she recounts her career high points. His tenderness is heartwarming, and a cozy contrast to her chilly ways.
What saves the film is Streep's uncanny metamorphosis, and undeniably accurate personification of Thatcher. From her physical stature, the convincing accent, the helmet stiff hair-sprayed do, the stoic expressions, and even her gingerly limp as a near 90-year old, her performance is superb.
Streep as always is deserving of her recognition by the Academy as a nominee for the upcoming Academy awards ceremony in February 2012. She recently earned the Golden Globe Best Actress Award (Drama Motion Picture) in January 2012 for her aspiring portrayal in The Iron Lady.
Meryl Streep's daughters: Mamie, Grace and Louisa
Gummer attend Meryl Streep’s New York premiere of Margaret Thatcher
Biopic “The Iron Lady”
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